Room: R12 S04 H97
Office hours: Please consult the official list of office hours
Tel.: 0201/183-3322
e-mail: stefanie.caeners@uni-due.de
Room: R12 S04 H97
Office hours: Please consult the official list of office hours
Tel.: 0201/183-3322
e-mail: stefanie.caeners@uni-due.de
After working in the media for several years, Stefanie Caeners (née Albers) studied English and German Literature at the University of Duisburg-Essen. In March 2007, she finished her studies with an MA thesis on literary theory in David Lodge's campus novels. In October 2010, she completed her PhD with a thesis entitled "Verbal Visuality - The Visual Arts in Contemporary Anglophone Fiction".
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Since 10/2007 |
Lecturer in the Department of Anglophone Studies, University of Duisburg – Essen (Prof. Dr. Jens Martin Gurr) |
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10/2010 |
Dr. phil. (PhD) in English Literature, University of Duisburg-Essen |
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04/2007-09/2007 |
Research assistant in the Department of Anglophone Studies, University of Duisburg – Essen (Prof. Dr. Jens Martin Gurr) |
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03/2007 |
M.A. in English and German, University of Duisburg-Essen |
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04/2006-03/2007 |
Student tutor for English literature and linguistics, University of Duisburg-Essen |
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08/2005-03/2007 |
Student assistant in the Department of Anglophone Studies, University of Duisburg – Essen |
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08/2004-12/2006 |
Freelance writer/photographer for Stadtspiegel Wattenscheid |
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04/2003-03/2007 |
Studies of British/American Literature and Culture and German Literature/Medieval Studies at the University of Duisburg-Essen |
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01/1998-03/2003 |
Clerical assistant (focus on languages) in various fields (e.g. Atlas Air inflight entertainment agency, etc) |
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09/1997-12/1997 |
Converse International School, San Diego, USA |
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08/1995-06/1997 |
Apprenticeship “Wholesale and Export Trades” at Ekutronic, Bochum |
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06/1995 |
Graduated from Höhere Berufsfachschule für kfm. Assistenten Bochum |
Stefanie Caeners teaches at the University of Duisburg-Essen where she is also responsible for the organisation of tutorials for first-year-students (in collaboration with Melanie Borchers). She has also been involved in the "Literature Online" project, developing an online version of an introductory course to English literature. Her main research interests include Modernist literature, Postmodernism, Literary Theory, Intermediality Studies and Popular Culture.
SoSe 2012
PS: A Survey of British Literature
HS: Modernism
WiSe 2011/12
ÜB: Introduction to Literary Studies (Groups 1, 2, 3 and 4)
PS: A Survey of British Literature
HS: Jane Austen meets Mary Shelley - Women Writers in the Romantic Period
SoSe 2011
ÜB: Introduction to Literary Studies (Groups 1 and 2)
PS: Classic Myths in Contemporary Literature (Blockseminar)
PS: A Survey of British Literature
HS: Of Ghosts and Doubles - An Introduction to 19th and 20th Century Literature
WiSe 2010/11
PS: "Time is nothing" - Constructions of Temporality in Postmodern Fiction
PS: A Survey of British Literature
ÜB: Introduction to Literary Studies (Groups 1 and 2)
ÜB: How to Write a Term Paper
SoSe 2010
ÜB: Introduction to Literary Studies (Groups 1 and 2)
PS: Hot Off the Press - Contemporary British and Irish Voices
PS: A Survey of British Literature
HS: T.S. Eliot and Virginia Woolf in the Context of Modernism
EX: Excursion to the Edinburgh International Book Festival (with C. Drawe)
WiSe 2009/10
ÜB: Introduction to Literary Studies (Groups 1, 2, 10, 11, and Blockseminar)
ÜB: How to Write a Term Paper
PS: A Survey of British Literature (Groups 3 and 5)
SoSe 2009
HS: "Arrange whatever pieces come your way." - British Modernism
HS: Art in the Novel - Aesthetic Discourses in Contemporary Anglophone Fiction
ÜB: Introduction to Literary Studies (Groups 1 and 2)
LC: English for Foreign Students
WiSe 2008/9
ÜB: Introduction to Literary Studies (Groups 1, 2, 5 and 6)
PS: Making Sense? - Reading Postmodern British Fiction
LC: English for Foreign Students
SoSe 2008
ÜB: Introduction to Literary Studies (Groups 1 and 2)
LC: Skills Focused Language Course I Receptive
WiSe 2007/8
ÜB: Introduction to Literary Studies (Groups 3 and 6)
LC: Skills Focused Language Course I Receptive
PS: The Campus Novel
SoSe 2007
LC: Skills Focused Language Course I Receptive (Groups 6 and 7)
WiSe 2006/7
ÜB: Tutorial English Literature/Linguistics
SoSe 2006
ÜB: Tutorial English Literature/Linguistics
Monographs:
Albers, Stefanie. Verbal Visuality - The Visual Arts in Contemporary Anglophone Fiction. Trier: WVT, 2011.
Essays and articles:
Caeners, Stefanie. "Eine Frage der Fragmentierung? Paul Auster und die Dichotomie des Privaten und Öffentlichen". In: Simone Sauer/Christian Bachmann (eds.). Paul Auster - Werk und Poetik. Bochum: Ch. A. Bachmann Verlag, 2012. 117-127.
Albers, Stefanie and Caeners, Torsten. "The Poetics and Aesthetics of Ian McEwan’s Atonement". In: English Studies - A Journal of English Language and Literature. 90:6 (2009). 707-720.
Albers, Stefanie. "'But who is to say what is fake and what is real?' – Spectral and Textual Haunting in Peter Ackroyd’s Chatterton". In: FORUM - The University of Edinburgh Postgraduate Journal of Culture and the Arts. 7:2 (2008).
* Accepted for publication:
* In preparation or currently under review:
"The Locus Amoenus in Audrey Niffenegger's The Time Traveler's Wife" (with T. Caeners)
"'Time playing tricks, eh?' – Kate Atkinson’s Human Croquet and its Construction of Time and Reality""
"Building the Alternative - Rehearsing Home in the Construction of Identities and Virtual Personalities in Second Life"
Reviews:
Oliver Simons. Literaturtheorien zur Einführung. in: Monatshefte. 102:2 (2010). 228-29.
Sarah Dillon. Palimpsest: Literature, Criticism, Theory. in: Anglistik – International Journal of English Studies. 20:2 (2009). 228-229.
Klaus Benesch/Ulla Haselstein. The Power and Politics of the Aesthetic in American Culture. in: Anglistik – International Journal of English Studies. 20:1 (2009). 219-221.
Conference papers:
"The Iconography of the Novel: Siri Hustvedt's What I Loved". at the British Association for American Studies Annual Conference. University of Central Lancashire, UK. 14-17 April 2011.
"Identity, Aesthetics and the Visual Arts: Constructions of 'Self' in Salman Rushdie's The Moor's Last Sigh and Zadie Smith's On Beauty" at the Identity and Form in Twentieth- and Twenty-First Century Literature Conference. Sheffield Hallam University, UK. 3-4 July 2009.
"A Matter of Fragmentation? - The Private and the Public in Selected Works by Paul Auster" at the British Association for American Studies Annual Conference. University of Nottingham, UK. 16-19 April 2009.