Text
Editionsbericht
Literatur: Eliot
Literatur: The Athenaeum
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Erstdruck und Druckvorlage
The Athenaeum.
A Journal of Literature, Science and the Arts.
Nr. 4665, 1919, 26. September, S. 940-941.
Gezeichnet: T. S. E.
Unser Auszug: S. 941.
Die Textwiedergabe erfolgt nach dem ersten Druck
(Editionsrichtlinien).
The Athenaeum online
URL: https://catalog.hathitrust.org/Record/009663854
PURL: http://resolver.sub.uni-goettingen.de/purl?PPN617810966
URL: https://onlinebooks.library.upenn.edu/webbin/serial?id=athenaeum
Zeitschriften-Repertorium
Kommentierte und kritische Ausgabe
Literatur
Altieri, Charles: Reading Bradley after reading Laforgue.
How Eliot transformed Symbolist poetics into a paradigmatic Modernism.
In: Modern Language Quarterly 72.2 (2011), S. 225-252.
Brandmeyer, Rudolf: Poetiken der Lyrik: Von der Normpoetik zur Autorenpoetik.
In: Handbuch Lyrik. Theorie, Analyse, Geschichte.
Hrsg. von Dieter Lamping.
2. Aufl. Stuttgart 2016, S. 2-15.
Callison, Jamie: Transmuting F. H. Bradley.
T. S. Eliot's Notes Towards a Theory of Poetry.
In: T. S. Eliot Studies Annual 1 (2017), S. 99-113.
Gallup, Donald: T. S. Eliot.
A Bibliography.
London 1969.
Greenburg, Bradley: T. S. Eliot's Impudence.
Hamlet, Objective Correlative, and Formulation.
In: Criticism. A Quarterly for Literature and the Arts 49 (2007), S. 215-239.
Griffiths, Dominic: T. S. Eliot and Others:
The (More or Less) Definitive History and Origin of the Term "Objective Correlative".
In: English Studies.
A Journal of English Language and Literature 99.5-6 (2018), S. 642-660.
Lipking, Lawrence: Poet-critics. In: The Cambridge History of Literary Criticism.
Bd. 7: Modernism and the New Criticism. Hrsg. von A. Walton Litz. Cambridge u.a. 2000, S. 439-467.
Olsen, Flemming: Eliot's Objective Correlative.
Tradition or Individual Talent. Contributions to the History of a Topos.
Brighton u.a. 2012.
Teubner, Rachel: An Analysis of T.S. Eliot's The Sacred Wood
Essays on Poetry and Criticism.
London 2017.
Literatur: The Athenaeum
Cuny, Noëlle: Le Dialogue de la science et de l'art dans
Blast, The Athenaeum, The Signature.
In: Revues modernistes anglo-américaines. Lieux d'échanges, lieux d’exil.
Hrsg. von Benoît Tadié.
Paris 2006, S. 201-217.
Demoor, Marysa: Their Fair Share.
Women, Power, and Criticism in the Athenaeum,
from Millicent Garratt Fawcett to Katharine Mansfield, 1870-1920.
Aldershot u.a. 2000.
Demoor, Marysa: John Middleton Murry's Editorial Apprenticeships.
Getting Modernist Rhythm into the Athenaeum, 1919-1921.
In: English Literature in Transition, 1880-1920. 52.2 (2009), S. 123-143.
Marchand, Leslie A.: The Athenaeum.
A Mirror of Victorian Culture.
New York 1971 (Reprint of the 1941 ed., Chapel Hill).
Shattock, Joanne (Hrsg.):
Journalism and the Periodical Press in Nineteenth-Century Britain.
Cambridge 2019.
Wellens, Oscar: 'The Brief and Brilliant Life of the The Athenaeum
under Mr. Middleton Murry' (T.S. Eliot).
In: Neophilologus 85 (2001), S. 137-152.
URL: https://link.springer.com/content/pdf/10.1023/A:1004857232007.pdf
Whitworth, Michael H.: Enemies of Cant:
The Athenaeum (1919-21) and The Adelphi (1923-48).
In: The Oxford Critical and Cultural History of Modernist Magazines.
Hrsg. von Peter Brooker u.a.
Bd. 1: Britain and Ireland 1880-1955.
Oxford 2009, S. 364-388.
Edition
Lyriktheorie » R. Brandmeyer